Invisible Orange
  • EVENT LISTING
  • BUY TICKETS
  • Touring Agency
  • Contact Us
  • Recent Posts


    • COVENANT FESTIVAL REFUND REQUEST

      Use this form to request refunds for Cancelled or Postponed ...

    • UNLEASH THE ARCHERS Releases Otherworldly Music Video for New Track "Abyss"

      New Album, "Abyss", Drops August 21, 2020 via Napalm Records...

    • AMARANTHE Announce The Cancellation Of Their North American 2020 Tour

      Announce The Cancellation Of Their North American 2020 Tour ...

    • BEHOLD... THE ARCTOPUS' Upcoming Album 'Hapeleptic Overtrove' Now Streaming

      BEHOLD... THE ARCTOPUS' Upcoming Album 'Hapeleptic Overtrove...

    • CENTRAL EUROPEAN COUNTRIES EASE EVENT RESTRICTIONS

      CENTRAL EUROPEAN COUNTRIES EASE EVENT RESTRICTIONS Events of...


© The Invisible Orange 2009-2023

Invisible Orange
Menu
  • EVENT LISTING
  • BUY TICKETS
  • Touring Agency
  • Contact Us
  • Disavowed-“Revocation of the Fallen” – Album Review

    By Sasha Chorosciewicz / in Event reviews, Music reviews, News / June 5, 2020

    Disavowed-“Revocation of the Fallen” - Album Review

    By Sasha Chrosciewicz

    What do you get when you cross old school Unique Leader, mid-2000s technical metal wizardry, and melt it all down into a re-vamped, re-defined metal slab synthesis of immaculate brutal technical death metal? Well my friends, what you get is the brand new Disavowed album "Revocation of the Fallen". This album dropped out of the sky like an H-Bomb and is easily album of the year so far for me. Want to hear a bit about it? Frigging rights, let’s dive in!!

    There must be something in the water in Holland, or the beer for that matter, because the Netherlands has always had their own unique array of heavy-hitting, trailblazing death metal. Going all the way back to the infamous tape trading days of the mid/late 1980s, when bands such as Pestilence, Sinister, Asphyx, God Dethroned, and Gorefest all put Holland on the map with innovative death metal that pushed extremities and created their own sonic landscapes. The grassroots of the early to mid-1990s gave rise to thickened low end, blistering speeds, and inhumane vocals of the niche sub-genre Brutal Death Metal. Influenced by these grassroots, there was a spawning of a plethora of iconic bands during the late 1990s / early 2000s including Severe Torture, Prostitute Disfigurement, Pyaemia, Arsebreed, Mass Murder, Brutus and of course, the almighty Disavowed.

    After creating demos initially under the name Nocturnal Silence, they changed their name to Disavowed and released their 2001 debut “Perceptive Deception”. Released under Unique Leader, a new label then created by the late Deed’s of Flesh guitarist/founder Erik Lundmark, this monster of an album established them among a new breed of brutality. To this day diehard fans of the BDM (Brutal Death Metal) revere Disavowed’s debut as a testament to the scene, and one that has aged like a fine wine. Fast forward to 2007 when Disavowed went for that next level of brutality, trying to conquer unfathomable territory to outdo their ambitious debut; a feat often attempted but which bands rarely accomplish. With the additions of Daniel van der Broek and Romain Goulin, both of whom played in Arsebreed at the time, they broke the Richter Scale with an album of such magnitude that was titled, “Stagnant Existence”. This album was really in a league of its own. The band departed slightly from the minimalistic, simple, percussive, and bludgeoning of their debut in exchange for refined technicality without sacrificing catchiness or songwriting ingenuity. This brings us to the present day with the third installation of Disavowed…

    From hearing the very first seconds of “Revocation of the Fallen,” you know what type of an album you’re in for. The opening track “The Process of Comprehension” wastes no time as the first riff of the song drops into gear and we have lift off. BOOM! Disavowed’s unrelenting, blistering, full-throttle, percussive, blasting attack is simultaneously punctuated by the signature scream of Robbe Kok. This is exactly what you want from a new Disavowed album! The excitement, and the energy. It’s all there! After the first two songs that are ripping, scorching tracks, we fall into a mid-tempo and almost progressive song. The track “Revocation of the Fallen” is a slower song that keeps building and building in a progressive sense, which is a song structure type that has never been on a Disavowed album before. It’s surprisingly refreshing in the context of the full album, and even rewarding. It perfectly lures in the listener, then right dead set in the middle of the song is one of the best riffs on the album. It’s a turning point transition riff with these dizzying guitar harmonies in Suffocation-esque notation that twists you inside-out and throws you into a groove (or slam riff as the kids call it these days) that sounds like a wrecking ball going through a mosh pit; completely pummeling everyone into oblivion. Track 4 “Imposed Afterlife” is my favourite track on the album. A ferocious song with lots of great dynamics and complimentary chemistry between instruments. Other progressive ideas come to light including track 6 “Therapeutic Dissonance” almost taking on a Death-like vibe but with Suffo harmonies.

    The majority of the lineup of the band returns from “Stagnant Existence”, with the exception of Romain Goulin. In his place on the drums is the highly touted Turkish drummer Septimiu Hărşan (x-Pestilence) and he is, simply put, the perfect addition to Disavowed. On this album he shows technical prowess, crazy footwork, airtight blasts, and tasteful transitions. Gerben van der Bij and Daniel van der Broek return with their brilliant guitar work, where they show their well-structured riffing is tasteful and never overplayed. Riddled throughout the albums is excellent bass work, executed by one of the best bassist in the underground, Nils Berndsen. In my opinion this bass work is arguably the highlight of the whole album. Where the first two albums would have bass runs or flourishes here and there (slaps and pops)...this new album is just next level. Man, I’m almost speechless. Buy this album just for the bass work alone and notice the attention to detail with regards to songwriting. Midway through songs, as riffs repeat, different instruments do different things, but here the bass morphs and jumps at ease making the album such an enjoyable listen and exemplary showcase of bass being the integral glue of any music. Instead of just returning to blast beats for days, they chill and groove in certain songs, and in the end, it makes it a well-balanced offering of an album. There’s a part or two that are almost “Bree Bree” vocals! Now I’m sure I’ve lost some of you diehard old school Unique Leader fans, but just hold on a second. There are many moments that remind me of the old school “less is more” riffing brutality. Although you’ll have to take your elitist hats off, put down your ping-ping drums, and look past the
    slick production to see it. Each song sounds fresh with new unique ideas while staying within the vein of Disavowed. Yet it’s also a new chapter; a new synthesized entity all in its own.

    Disavowed took a lot of risks on this album and years down the road it will all pay off. “Revocation of the Fallen” has a lot more curveballs and surprises than I anticipated; at first the title track struck me as a slow burner, but after a few more listens it really grew on me. In the end, just like their first two albums, Disavowed achieves many cool, memorable moments that make this album infectious and easy to re-play over and over again. Each riff blends effortlessly together, hook after hook. This is very much along the lines of where “Stagnant Existence” left off but a more mature, dare I say modern offering. Modern with regards to production, as it’s a phenomenal sounding album, but also sonically. There’s a lot of new stuff here and I think these sounds will come across
    successfully in a live setting.

    They say good things come to those who wait and this is most definitely the case. So after a 13-year writing hibernation, Disavowed is continuing their natural evolution; crafting the perfect amalgamation of their unrelenting brutality, seamless signature song-writing, and perfect chemistry between the instruments and bandmates. Remember a band of this calibre is almost a thing of the past, and an album like this doesn’t fall from the sky every year. So now you have to do your part to not miss out on this soon-to-be classic. Be sure to get your fix and complete the Disavowed trifecta that should be in every Brutal Metalhead’s collection.

    Sasha Scores Disavored’s “ Revocation of the Fallen” at 9.8/10

     

    PRE-ORDER:
    Bandcamp: https://brutalmind.bandcamp.com/album/revocation-of-the-fallen 
    Brutal Mind: https://tinyurl.com/y79klj4g

    Track Listing:
    1. The Process of Comprehension
    2. The Enlightened One
    3. Revocation of the Fallen
    4. Imposed Afterlife
    5. Deformed Construct
    6. Therapeutic Dissonance
    7. Defractured in Contemplation
    8. Egocentric Entity
    9. The Inevitable Outcome
    10. Facing the Singularity

  • COVENANT FESTIVAL REFUND REQUEST

    By Mayo / in News / February 9, 2021

    Use this form to request refunds for Cancelled or Postponed concerts from Covenant Festival. Currently affected: Covenant Toronto and Covenant Vancouver.

    You have different options for your ticket. If you choose to receive a Refund, please submit the form. You can also submit the form to confirm if you wish to defer your ticket for a future event. Future possible events once allowed include a smaller scale Fall Festival in Vancouver in 2021. In 2022 and later, we will continue with the plans to host Covenant Vancouver, Covenant Montreal, Covenant Toronto.

    The tickets are processed through The Invisible Orange. A concert promotion company in Western Canada. If you choose to defer your ticket, the value will also be made valid for any concert from The Invisible Orange.

    1. REFUNDS
    We will obviously be offering refunds. Fear not. Plain and simple. We have your money, you didn't get an event, and if you'd like a refund you will get one. Please submit your request by February 28.

    2. FALL FESTIVAL
    We are planning to orchestrate some sort of festival here in Vancouver during the fall. Normally, as you know, we love to do the big reveal, but with hope in our hearts, and a certain sentimentality driving us, we will reveal now that YES, we would very much like to an entirely local, but no less glorious event in the fall, possibly one that reoccurs several weekends in a row. We don't know more than that presently, but if you would

    3. DEFERRAL
    If you would like to continue to defer your ticket to a future event, we will honour it at any future Covenant event, anywhere in the world (Covenant Toronto, Covenant Vancouver, Covenant Montreal, etc)

    If you have any other questions, please email [email protected] or call/text/WhatsApp +1 (604) 889-9672.

  • UNLEASH THE ARCHERS Releases Otherworldly Music Video for New Track “Abyss”

    By Mayo / in Featured, News / June 18, 2020

    New Album, "Abyss", Drops August 21, 2020 via Napalm Records

    UNLEASH THE ARCHERS Releases Otherworldly Music Video for New Track "Abyss"
    Watch the "Abyss" Music Video HERE

    New Full-Length Album, Abyss, out August 21, 2020 via Napalm Records
    Pre-Order
    HERE - Digital Pre-Orders are Live Today!

    [Photo Credit: Shimon Karmel]

    Earlier this month, Canadian melodic power metal quartet UNLEASH THE ARCHERS announced the upcoming release of their fifth full-length album, Abyss, out August 21, 2020 via Napalm Records. Lifted by the urgent, breathtaking vocals of frontwoman Brittney Slayes, on Abyss, the band re-cements themselves as an unequalled, undeniable metallic force with their strongest album to date.
    Today, the band is thrilled to reveal a brand new, otherworldly music video for the album's colossal title track, "Abyss". Musically, the track unveils the diversity of UNLEASH THE ARCHERS, delivering one earworm moment after another. Its accompanying video, directed by Rod Scobie (also director of the band's music videos for "Awakening" and "Northwest Passage"), takes the viewer on a CGI rollercoaster ride – launching them firmly from the terrestrial plane to the celestial one. At first, the viewer could assume they're viewing a regular performance video, but little hints here and there begin to reveal that it is far from your average clip!

    Frontwoman Brittney Slayes says about "Abyss":
    "This track set the tone for the whole record; conceptually, lyrically, musically, it all started here.  Andy came up with the opening riff back when we were writing Apex, but I knew right away it didn't belong on that record.  When we finally started writing Abyss in 2019, this was the first song we wrote and it was the first song I listened to when the record was done. It symbolizes five years of hard work for us, and I think it does a great job of putting the listener in the right place emotionally to start the record. It hints at what the rest of the album is all about, but also doesn't give it all away, not by a long shot!"

    Watch the otherworldly music video for "Abyss" HERE

    Beginning with a dreamlike acoustic introduction accented by the smoky beckonings of singer Brittney Slayes, opener “Waking Dream” quickly punches into a colossal wall of sound, setting the stage for the auditory escape that is Abyss. Powerful anthems such as the immense power metal-encapsulated title track “Abyss” and metallic pop-tinged earworm “Through Stars” conjure classic elements while maintaining an entirely fresh, forward-thinking approach. Guitarists Andrew Kingsley and Grant Truesdell turn heads with wicked work on stellar tracks such as “Legacy” (fans of artists like Devin Townsend and Astronoid, take note), while Slayes showcases her incredible vocal diversity and range on mighty epics like “Return To Me” and “The Wind That Shapes The Land”. Drummer Scott Buchanan makes technical strides on burners “Soulbound” and “Faster Than Light” – setting breakneck twists and turns ablaze with his bandmates. UNLEASH THE ARCHERS rounds the edge of Abyss with throwback-hued “Carry The Flame”, and wraps up with the soaring, rewarding concept closer “Afterlife”.

    Thematically, Abyss is the direct sequel to the band’s 2017 album Apex. Brittney Slayes explains about the concept:

    “Our protagonist, The Immortal, is once again awakened at the beginning of our story, but this time he is in an unknown place: a ship out in deep space. He wanders alone for a time, reflecting on his misdeeds, searching for his new master. Finally, he finds him, and learns that it is the Grandson of The Matriarch, our antagonist. The Immortal had taken The Grandson’s father away some sixty years before, to be sacrificed by The Matriarch in a ritual to achieve immortality (the events from Apex) and now the Grandson seeks revenge against The Matriarch with the aid of her own weapon, The Immortal.

    This album is a classic take on good versus evil, light versus dark, The Grandson versus The Matriarch, but it also uses the ‘person versus self’ literary device in that The Immortal is battling with the good and evil within himself, and must decide in the end if he is simply a tool for others to use, or a man with free will and the ability to choose his own path; a struggle I think every human can relate to.”

    Abyss was once again engineered, mixed and mastered by Jacob Hansen of Hansen Studios in Denmark (Volbeat, Delain, Amaranthe), with production by guitarist Andrew Kingsley. Additionally, transcendent closer track “Afterlife” features orchestration contributions from Francesco Ferrini of Italian symphonic death metal machine Fleshgod Apocalypse. Fans will notice that, unlike on Apex, Abyss incorporates a weighty dose of synth in the mix, and for the first time ever, all tracks were written on seven strings – adding to the massive expanse of the album’s sound as it explores the celestial realm.

    Pre-order Abyss in physical, digital and bundle formats HERE!

    [Album Artwork Illustration: Adam Burke]

    Abyss is available for pre-order in digital, CD format, as well as 2LP gatefold vinyl format in original black, limited edition red/yellow swirl (mailorder only, limited to 300 copies) and limited edition yellow (limited to 100 copies)

    A limited edition Deluxe Earbook format is also available – the only edition including instrumental versions of each track, plus two bonus tracks – synthwave and gothic folk-pop versions of “Abyss” and “Soulbound”, respectively (also featured in a standalone 7” only available with the Earbook format). This is something UNLEASH THE ARCHERS has never done before, turning their tracks into something completely different!


    Limited Deluxe Earbook edition + exclusive 7” vinyl single

    Abyss tracklisting:
    1) Waking Dream
    2) Abyss
    3) Through Stars
    4) Legacy
    5) Return To Me
    6) Soulbound
    7) Faster Than Light
    8) The Wind That Shapes The Land
    9) Carry The Flame (feat. guitarist Andrew Kingsley on guest vocals)
    10) Afterlife (feat. orchestration by Francesco Ferrini)

    UNLEASH THE ARCHERS is:
    Brittney Slayes - Vocals
    Scott Buchanan - Drums
    Grant Truesdell - Guitar, Vocals
    Andrew Kingsley - Guitar, Vocals, Synth

    UNLEASH THE ARCHERS online:
    WEBSITE
    FACEBOOK
    TWITTER
    INSTAGRAM
    NAPALM RECORDS

     

  • AMARANTHE Announce The Cancellation Of Their North American 2020 Tour

    By Mayo / in News / June 9, 2020

    Announce The Cancellation Of Their North American 2020 Tour

    Sweden’s hottest metal export AMARANTHE: recently announced their sixth studio album will be released this fall via Nuclear Blast Records.

    Today, the band are sad to report with the current state of  the Covid-19 pandemic their upcoming North American 2020 tour is cancelled. All ticket holders will be refunded by the service where they made the purchase. Please note the promoters are working diligently to refund the payments in a timely manner and appreciate ticket holders patience during the process. The band thank fans for the understanding while they work on rescheduling the anticipated tour.

    The band states, "While the cancellation of our US tour probably doesn't come as a surprise to anyone, with the COVID-19 situation being far from over with - it is still really devastating for us. We were massively looking forward to visit US soil again after a three-year absence and judging from the ticket sales so were you guys - thank you for the support! Obviously, we will be back as soon as we possibly can, so keep your eyes peeled to our sites, and we will be rocking together again before you know it!!”

    Stay tuned for more updates on the upcoming album and potential tour dates. Check the AMARANTHE and NUCLEAR BLAST channels to stay up to date!

    AMARANTHE is:
    Elize Ryd | Vocals
    Olof Mörck | Guitars, Keyboards
    Henrik "GG6" Englund Wilhelmsson | Vocals
    Johan Andreassen | Bass
    Morten Løwe Sørensen | Drums
    Nils Molin | Vocals

    WATCH: "Do Or Die (Feat. Angela Gossow)" music video

    ABOUT AMARANTHE
    With their foundations tracing back to 2008, the group has released 5 albums since then (2011's Amaranthe, 2013's The Nexus, 2014's Massive Addictive, 2016's Maximalism, and 2018's Helix), consistently delivering hauntingly catchy tunes led by their unique three-part vocals. Within their arsenal of hit singles - with "Drop Dead Cynical" leading right at the front - a myriad tracks have been received very well via press and fans alike; having also gained countless plays on both radio stations around the globe and across streaming services (the group's songs have been streamed close to a billion times on Spotify). A string of support tours have blazed AMARANTHE's trail in front of huge crowds as well as at their own headline concerts (the group impressively once performed in front of 10,000 fans at Liseberg, Gothenburg). They have kept working incredibly hard over the years, the latest product of which culminated in the form of Helix, which achieved them some of their highest chart positions in the band's history (Switzerland #21, Germany #29 etc.).

    WATCH: "82nd All The Way" (SABATON Cover) official video

     

  • BEHOLD… THE ARCTOPUS’ Upcoming Album ‘Hapeleptic Overtrove’ Now Streaming

    By Mayo / in News / June 5, 2020

    BEHOLD... THE ARCTOPUS' Upcoming Album 'Hapeleptic Overtrove' Now Streaming

    New York (NY) - Invisible Oranges has premiered Hapeleptic Overtrove, the forthcoming album from BEHOLD... THE ARCTOPUS. Stream it below!

    Hapeleptic Overtrove (Exclusive Album Stream)

    invisibleoranges.com/behold-the-arctopus-hapeleptic-overtrove-premiere/

    Willowtip Records will release Hapeleptic Overtrove, the band's 7th recording, June 12 on vinyl LP and digital formats. The CD version will be released via P2.

    PRE-ORDERS:

    Willowtip: bit.ly/hepeleptic-willowtip

    Bandcamp: bit.ly/hepeleptic-bandcamp

    P2 (CD): p2loggia.bigcartel.com

    "Behold the Arctopus is about the challenge, about extremity in heavy metal expressed through cognitive difficulty and the enthralling challenge of trying to master the twists and turns of these compositions, slippery as an eel fresh from the water. Hapeleptic Overtrove doesn't let us down on this mark."

    - Invisible Oranges

     

    "The album finds the band making a key evolutionary step. Its wildest creation to date."

    - Rolling Stone

     

    "This is a stunning display of compositional creativity and musicianship that belongs in any conversation that claims metal as a genre is dead."

    - Heavy Blog is Heavy

     

    "A high quality release with no signs of creative stoppage."

    - Noob Heavy

     

    The band released the following statement concerning the new album:

    The 7th Behold the Arctopus recording, Hapeleptic Overtrove is imminent! This time, the band teams up with Willowtip, P2, and Denses(s) for what will be our most extreme, unique, and controversial album. Colin Marston (Warr guitar) and Mike Lerner (guitar guitar) are joined by drummer Jason Bauers (previously of Psyopus), who has brought his experience with classical percussion to the table, allowing the drums to become another melodic voice, rather than just a metric skeleton. For the new compositions, inspiration was drawn from the non-traditional setup of English free jazz drummer Tony Oxley, and the percussion music of 20th century composers Iannis Xenakis, Edgard Varese, and Elliott Carter. The drum kit for the new album removes extreme metal's constant harsh static wash by deleting all hi-hats, crashes, and ride cymbals, replacing them with almglocken, wooden plank, metal pipe, broken stacks, and bell/chimes. Sticks are replaced by mallets, and, more importantly, the function of the drums is no longer to play 'beats.' Instead the drums take on a role more similar to the guitars, resulting in a sound closer to chamber music than rock.

    Is anyone else tired of how painfully slow metal has evolved recently compared to how quickly innovations occurred at the end of the last century? Think about how drastic and surprising changes were in the 5 years between 1988 and 1993, versus how stagnant metal between 2015 - 2020 has been. On Hapeleptic Overtrove, Behold the Arctopus shows the utmost respect for the true spirit of extreme metal: a musical world that should challenge the audience to listen to and think about things in new ways, while reveling in mystery, surprise and excess which is simultaneously baroque and primitive."

     

    Track Listing

    1 Quithtion

    2 Adult Contemporary

    3 Telapthy Apathy

    4 Blessing in Disgust

    5 Forgotten Explanations

    6 Other Realms (Instrumental)

    7 Perverse.Esoteric.Different.

    8 Hapelectic Perspective Request

    9 Quithtion Overtrove

    BEHOLD THE ARCTOPUS

    Formed in 2001, New York City

    Line-up:

    Colin Marston (Gorguts, Krallice, Dysrhythmia) : Warr Guitar

    Mike Lerner (ex-Direwolf, ex-Nader Sadek-live): Guitar Guitar

    Jason Bauers: Metal, Wood, Plastic

    facebook.com/beholdthearctopus/

    instagram.com/beholdthearctopus/

    beholdthearctopus.bandcamp.com/

    willowtip.com

    willowtip.bandcamp.com

    facebook.com/willowtip

    instagram.com/willowtiprecords/

    twitter.com/willowtip

    facebook.com/p2loggia/

    p2loggia.bigcartel.com/

     

  • CENTRAL EUROPEAN COUNTRIES EASE EVENT RESTRICTIONS

    By Mayo / in News / June 5, 2020

    CENTRAL EUROPEAN COUNTRIES EASE EVENT RESTRICTIONS

    Events of 500 people can take place in the Czech Republic and German capital in June, with Switzerland permitting shows of up to 300, as restrictions ease

    By IQ on 04 Jun 2020

    Central European countries ease event restrictions

    Outdoor events of up to 500 people will be permitted in the Czech Republic and Berlin in June

     

    Capacity limits on events are being partially lifted in central European countries including Austria, Switzerland, Poland and the Czech Republic, as well as in the capital of Germany, as reopening progress across the continent.

    As of 8 June in the Czech Republic, it will possible to organise both indoor and outdoor events with up to 500 people. The obligation to maintain social distancing in venues will no longer apply after this date.

    In the German capital of Berlin, 500 people will also be able to attend events – only in an outdoor space – from 16 June. The capacity limit will rise to 1,000 from the end of the month. Restrictions on indoor events in the city have yet to be lifted.

    Switzerland is also progressing with its reopening plan. The country moves into its third phase of lockdown lifting on Saturday (6 June), permitting public events of up to 300 people.

    Maintaining a distance of two metres between individuals remains “the most important measure for avoiding the spread of the virus”, reads government regulations, with seating spaced out accordingly and staggered entry and exit times.

    CAPACITY LIMITS ON EVENTS ARE BEING PARTIALLY LIFTED IN CENTRAL EUROPEAN COUNTRIES, AS REOPENING PLANS PROGRESS ACROSS THE CONTINENT

    If, for operational reasons, it is not possible to maintain such a distance, masks must be worn and appropriate hygiene precautions taken.

    The government will decide on 24 June whether to increase the capacity limit to 1,000 people. Large-scale events of more than 1,000 attendees remain banned until the end of August.

    In Austria, restrictions have been lifted to a smaller extent, with events of up to 100 people now permitted. Both the wearing face masks and social distancing measures are still in place.

    A maximum of 250 fans for indoor performances and 500 for outdoor shows will be allowed from 1 July, increasing to 1,000 people for indoor events in the final stage and 1,250 for outdoor shows from 1 August, provided organisers present authorities with an adequate safety plan.

    Other European countries to recently ease restrictions include Poland, where outdoor shows of up 150 people are allowed, and Nordic nations Denmark and Finland, where events are up to 500 people can take place.

  • UNLEASH THE ARCHERS to Release New Full-Length Album, “Abyss”, via Napalm Records

    By Mayo / in News / June 5, 2020

    The Celestial, Conceptual Follow-Up to 2017’s "Apex" Drops August 21, 2020

    Modern Power Metal Band UNLEASH THE ARCHERS to Release New Full-Length Album, Abyss, via Napalm Records

    Listen to a Teaser of the Title Track, “Abyss”, HERE

    The Celestial, Conceptual Follow-Up to 2017’s Apex
    Drops August 21, 2020 |
    Pre-Order HERE

    [Photo Credit: Shimon Karmel]

    Less than a year after the release of their covers EP Explorers, Canadian melodic power metal quartet UNLEASH THE ARCHERS are back with a brand new 10-track masterpiece in the form of their fifth full-length album, Abyss. Lifted by the urgent, breathtaking vocals of frontwoman Brittney Slayes, on Abyss, the band re-cements themselves as an unequalled, undeniable metallic force with their strongest album to date.

    Colossal, heart-stopping and heavy-as-hell while often exploring a noteworthy aura of addictive pop sensibility, Abyss further proves the indelible songwriting and technical talents of UNLEASH THE ARCHERS – not only reinforcing how high a modern band can soar within the atmosphere of power metal, but introducing an unbridled array of diverse sonic elements into the fold. Poised to make its mark amid a new generation of epic metal concept albums, listeners will be itching to hit replay within seconds of its satisfying end.

    Check out a new teaser of the album’s title track “Abyss” HERE, and stay tuned for more new music and videos coming very soon!

    Abyss is set for release via Napalm Records on August 21, 2020, and beginning today, is available for pre-order in CD format, as well as 2LP gatefold vinyl format in original black, limited edition red/yellow swirl (mailorder only, limited to 300 copies), and limited edition purple (North American mailorder only, limited to 100 copies). A limited edition Deluxe Earbook format is also available – the only edition including instrumental versions of each track and bonus alternate single versions (also featured in a standalone 7” only available with the Earbook format) – as well as several additional bundles including t-shirts and more! The album will be available to pre-order digitally in mid-June.

    Starting today, pre-order Abyss in available formats HERE!



    [Album Artwork Illustration: Adam Burke]

    Beginning with a dreamlike acoustic introduction accented by the smoky beckonings of singer Brittney Slayes, opener “Waking Dream” quickly punches into a colossal wall of sound, setting the stage for the auditory escape that is Abyss. Powerful anthems such as the immense power metal-encapsulated title track “Abyss” and metallic pop-tinged earworm “Through Stars” conjure classic elements while maintaining an entirely fresh, forward-thinking approach. Guitarists Andrew Kingsley and Grant Truesdell turn heads with wicked work on stellar tracks such as “Legacy” (fans of artists like Devin Townsend and Astronoid, take note), while Slayes showcases her incredible vocal diversity and range on mighty epics like “Return To Me” and “The Wind That Shapes The Land”. Drummer Scott Buchanan makes technical strides on burners “Soulbound” and “Faster Than Light” – setting breakneck twists and turns ablaze with his bandmates. UNLEASH THE ARCHERS rounds the edge of Abyss with throwback-hued “Carry The Flame”, and wraps up with the soaring, rewarding concept closer “Afterlife”.

    Thematically, Abyss is the direct sequel to the band’s 2017 album Apex. Frontwoman Brittney Slayes explains about the concept:

    “Our protagonist, The Immortal, is once again awakened at the beginning of our story, but this time he is in an unknown place: a ship out in deep space. He wanders alone for a time, reflecting on his misdeeds, searching for his new master. Finally, he finds him, and learns that it is the Grandson of The Matriarch, our antagonist. The Immortal had taken The Grandson’s father away some sixty years before, to be sacrificed by The Matriarch in a ritual to achieve immortality (the events from Apex) and now the Grandson seeks revenge against The Matriarch with the aid of her own weapon, The Immortal.

    This album is a classic take on good versus evil, light versus dark, The Grandson versus The Matriarch, but it also uses the ‘person versus self’ literary device in that The Immortal is battling with the good and evil within himself, and must decide in the end if he is simply a tool for others to use, or a man with free will and the ability to choose his own path; a struggle I think every human can relate to.”

    Frontwoman Brittney Slayes

    [Photo Credit: Shimon Karmel]

    Abyss was once again engineered, mixed and mastered by Jacob Hansen of Hansen Studios in Denmark (Volbeat, Delain, Amaranthe), with production by guitarist Andrew Kingsley. Additionally, transcendent closer track “Afterlife” features orchestration contributions from Francesco Ferrini of Italian symphonic death metal machine Fleshgod Apocalypse. Fans will notice that, unlike on Apex, Abyss incorporates a weighty dose of synth in the mix, and for the first time ever, all tracks were written on seven strings – adding to the massive expanse of the album’s sound as it explores the celestial realm.

    As mentioned, the Deluxe Earbook edition of Abyss features two bonus tracks – synthwave and gothic folk-pop versions of “Abyss” and “Soulbound”, respectively. This is something UNLEASH THE ARCHERS has never done before, turning their singles into something completely different!

    Brittney Slayes adds:
    “I hope you enjoy our alternate interpretations of “Abyss” and “Soulbound”, because they honestly show a side of us as musicians that we probably wouldn't be able to showcase otherwise.  We all listen to a lot of different genres of music, but these two bonus tracks give huge insight into the music we were listening to as we recorded Abyss... not just metal, but synthwave, pop, and even a bit of country!”

     

    T-Shirt & 2LP Red/Yellow Swirl Bundle (North American Webstore Only)

    Abyss tracklisting:
    1) Waking Dream
    2) Abyss
    3) Through Stars
    4) Legacy
    5) Return To Me
    6) Soulbound
    7) Faster Than Light
    8) The Wind That Shapes The Land
    9) Carry The Flame (feat. guitarist Andrew Kingsley on guest vocals)
    10) Afterlife (feat. orchestration by Francesco Ferrini)

    UNLEASH THE ARCHERS is:
    Brittney Slayes - Vocals
    Scott Buchanan - Drums
    Grant Truesdell - Guitar, Vocals
    Andrew Kingsley - Guitar, Vocals, Synth

    UNLEASH THE ARCHERS online:
    WEBSITE
    FACEBOOK
    TWITTER
    INSTAGRAM
    NAPALM RECORDS

     

  • CARNIFEX – Release Visualizer For Their New Single “Cursed (isolation mix)”

    By Mayo / in News, NuclearBlast / June 3, 2020

    CARNIFEX Release Visualizer For Their New Single “Cursed (isolation mix)” 


    San Diego, California-based metal outfit CARNIFEX are proud to release their new single "Cursed (isolation mix)" which was written during their downtime from the Covid-19 pandemic.

    CARNIFEX comments, “Despite the chaos in the world CARNIFEX have never been in a better place creatively. We are feeling more driven than ever to fly our flag high for all of those that have lived life on the outside and those struggling with unseen opposition. We are all cursed....”
    Check out the visualizer for "Cursed (isolation mix)" here: https://youtu.be/1hhoXkicO5k
    Download/Stream"Cursed (isolation mix)" here: https://nuclearblast.com/carnifex-cursed

    Order your copy of the latest Carnifex full length album, World War X here:
    www.nuclearblast.com/carnifex-wwx

    The band released the music video for "Visions Of The End" last fall.  The macabre video directed by Muted Widows with Ryan Hogue as Director of Photography can be seen here: https://youtu.be/UZkYBbmM4U0

    World War X was produced by CARNIFEX and Jason Suecof (DEATH ANGEL, CHELSEA GRIN, JOB FOR A COWBOY). The album was recorded and mixed by Jason at AudioHammer Studio in Sanford, Florida. Vocals for the album were tracked by Mick Kenney (ANAAL NATHRAKH, BLEEDING THROUGH) at The Barracks Studio in Huntington Beach, CA. The album artwork was created by Blake Armstrong.

    World War X Track Listing:

    World War X

    Visions Of The End

    This Infernal Darkness

    Eyes Of The Executioner

    No Light Shall Save Us featuring Alissa White-Gluz

    All Roads Lead To Hell featuring Angel Vivaldi

    Brushed By The Wings Of Demons

    Hail Hellfire

    By Shadows Thine Held

    CARNIFEX is:
    SCOTT IAN LEWIS | Vocals
    SHAWN CAMERON | Drums
    CORY ARFORD | Guitar
    FRED CALDERON | Bass

    LISTEN: "Cursed (isolation mix)"

    WATCH: "World War X" music video

    WATCH: "Visions Of The End" music video

    WATCH: "No Light Shall Save Us" featuring Alissa White-Gluz

    WATCH: Scott Ian Lewis Discusses "No Light Shall Save Us" And Collaborating With Alissa White-Gluz

    WATCH: Scott Ian Lewis discusses the writing and recording OF World War X 

    WATCH: Scott Ian Lewis discusses World War X title and theme 

    WATCH: Scott Ian discusses title track, "World War X

    WATCH: Scott Ian discusses working with Blake Armstong

    WATCH: What's In My Bag?« Nuclear Blast edition

    WATCH: Scott Ian shares what fans can expect on WWX

  • ALESTORM Releases New Single & Official Video “Pirate Metal Drinking Crew”

    By Mayo / in News / June 1, 2020

    ALESTORM Releases New Single & Official Video
    “Pirate Metal Drinking Crew” | Watch HERE!

    New Album, Curse of the Crystal Coconut, Out TODAY
    Order NOW!

    [photo credit: Elliot Vernon]

    Across the seven seas for a thousand years,
    we're your greatest wish, we're your darkest fear!
    We are the Pirate Metal Drinking Crew!

    The notorious Pirate Kings ALESTORM release their long-awaited long-player Curse Of The Crystal Coconut today via Napalm Records! In addition, they present their latest single, “Pirate Metal Drinking Crew” - an homage to pirate life and… probably themselves! Rhythmic guitars, slapping drums and Captain Bowes’ rum-laden vocals weave throughout the song and will have it stuck in your head with the first listen - that’s a promise.

    The song is accompanied by an audiovisual, taking you on a trip to Thailand – more specifically, to the studio where the “Pirate Metal Drinking Crew” recorded Curse Of The Crystal Coconut. It also features the legendary rubber duck (in a very different way than you might expect), the smashing of a perfectly innocent ukulele and purely crazy pirate madness. See for yourself!

    Watch the new video for “Pirate Metal Drinking Crew” HERE:

    The “Pirate Metal Drinking Crew” is back to show all the filthy landlubbers what they’re made of. ALESTORM’s sixth long-player, Curse of the Crystal Coconut, features eleven tracks presented in ALESTORM’s signature unadulterated, chaotic fashion. Adding to that are guest performances from musical greats like Ally Storch of SUBWAY TO SALLY (violin on the entire album) and Captain Yarrface of RUMAHOY!

    A must-have, riff-laden anthem at any party, “Treasure Chest Party Quest” takes the listener onto a journey into the depths of the darkest taverns of “Tortuga” and Christopher Bowes’ unique sense of humor. The smashing, lively track “Chomp Chomp”, featuring vocals of Vreth of FINNTROLL, may make you never want to enter the open waters again, but will definitely entice you to dance along with its addictive melodies. “Pirate Metal Drinking Crew” is yet another foot-stomping anthem on the album that excels with a catchy rhythm and indelible hook. Be careful to not anger the great pirate Scurvy, or he might just unleash the Curse Of The Crystal Coconut with the brutal riffs of the “Pirate’s Scorn” upon you.

    Whether the album makes you want to grab a fresh coconut and sip it or open up a nice bottle of beer – it will definitely lead to a wild piratical escapade. For the extra-adventurous pirates amongst you, ALESTORM will release a 2-CD Mediabook with ground-breaking 16th century interpretations of the songs. Be sure to get yours.

    Order Curse of the Crystal Coconut HERE!
    Be quick, most formats are already sold out!


    Curse of the Crystal Coconut is available in the following formats:
    - LTD Deluxe Wooden Box Set (including 2-CD Mediabook, exclusive 7’’ Single, Track Stems on USB Stick, Pendant, Flag, Postcards) - SOLD OUT
    - 2 CD Mediabook - including 16th century interpretations of all songs
    - 1 CD Jewel Case
    - LP Gatefold BLACK Vinyl
    - LP Gatefold RED Vinyl - SOLD OUT
    - LP Gatefold GOLD Vinyl - SOLD OUT
    - LP Gatefold PURPLE Vinyl - SOLD OUT
    - LP Gatefold Silver Vinyl (Napalm Records US Store exclusive) - SOLD OUT
    - Music Cassette + Walkman Bundle in Pirate Bag RED (strictly limited to 250) - SOLD OUT
    - Digital Album
    - Digital Deluxe Album

     



    Tracklist:
    1. Treasure Chest Party Quest
    2. Fannybaws
    3. Chomp Chomp
    4. Tortuga
    5. Zombies Ate My Pirate Ship
    6. Call of the Waves
    7. Pirate’s Scorn
    8. Shit Boat (No Fans)
    9. Pirate Metal Drinking Crew
    10. Wooden Leg Pt. 2 (The Woodening)
    11. Henry Martin


    ALESTORM are:
    Christopher Bowes - vocals, keytar
    Gareth Murdock - bass
    Mate Bodor - guitar
    Peter Alcorn - drums
    Elliot Vernon - keyboard

    For more information, visit:
    WEBSITE
    FACEBOOK
    INSTAGRAM
    TWITTER
    NAPALM RECORDS

     

  • Seattle Sci-Fi Shredders XOTH Release Official Video for “Casting The Sigil”

    By Mayo / in News / June 1, 2020

    Seattle Sci-Fi Shredders XOTH Release Official Video for "Casting The Sigil"

    Seattle (WA) - Seattle space shredders Xoth have released their first-ever music video for "Casting the Sigil," a track from last year's critically acclaimed album Interdimensional Invocations. The video was filmed at the historic Georgetown Steam Plant in Seattle, using practical effects and done in homage to 1980s science fiction. The clip brings the album artwork of Mark Richards to life! Check it out below!

    "Casting The Sigil" (official video)

    youtu.be/Ra65DHX7zBk

     

    Purchase/Stream Interdimensional Invocations

    xoth.bandcamp.com/album/interdimensional-invocations

     

    "Interdimensional Invocations stands to easily be the best death-thrash record of the year."

    - Metal Injection

     

    "This album is an absolute trove of tech-death delights, the music blending effortlessly with the band’s themology and approach. It’s one of the juiciest fruits spawned by the genre this year."

    - Invisible Oranges

     

    "No filler or wasted riff. Interdimensional Invocations continues to spread their joyous gospel of sci-fi in an even stronger package."

    - Last Rites

     

    "Compelling and memorable. The melding of technical prowess and smart songwriting is a constant on the album."

    - Toilet ov Hell

     

    "Interdimensional Invocations is bursting at the seams with screaming leads and hooky melodies all over the place, constantly flying over the blast heavy necromancy underneath."

    - Lair of the Bastard

     

    "A cosmic cook-up of styles resulting in an appetizing galactic stew. An outstanding record preaching the pitfall of humanity."

    - MetalBite

     

    "XOTH have developed, or better said polished and refined their sound. Fans of Tech-Death, but also of Black Metal… let’s just say Extreme Metal fans in general should give this album a spin or two and witness the cosmic terror rendered through Interdimensional Invocations."

    - Blessed Altar Zine

     

    "A very well crafted record that does everything right. Very much a worthwhile spin if you dig the technical sci-fi type death metal groups."

    - Indy Metal Vault

     

    "It’s the way that Xoth take a select pool of influences and use the true alchemy of excellent songcraft to turn what sounds like an elevator pitch for mediocrity into a deeply enjoyable, genuinely good album."

    - Heavy Blog is Heavy

     

    "Manic death / black metal that doesn't lack darkness and is played with incredible power! Massacre!"

    - Deadly Storm

     

    "The band embarks on a 40 minute journey of speedy dual guitars, lots of double bass and a great mixture of different voices which is one of their strongest trademarks."

    - Merchants of Air

     

    "Thrash, shred, prog, metal, heavy metal, black metal, death metal. An amalgamation to create a unique cosmic interpretation of space metal."

    - Mosh Nerd Republic

     

    "A perfect, slightly dirty, technically tuned death metal."

    - Slovak Metal Army

     

    Mixed by Joe Cincotta (Obituary, Suffocation), the group’s fourth overall release reveals a mature, otherworldly sound that is vaguely reminiscent of Death, Bal-Sagoth, and Emperor. Xoth appeals not only to the aficionado of complex time signatures, key changes and melodic composition, but also to the good ‘ol heavy metal enthusiast. Thematically, Xoth mixes themes including sci-fi, ancient mysteries, emerging catastrophes, and social commentary, lined with a layer of humor that is as magnetic as it is unsettling.

     

     

    BIO

    Since their debut in 2014, Seattle’s Xoth has continually spewed their unique brand of extreme metal upon unsuspecting listeners to great pleasure and critical acclaim.

    Appearing on festivals including Northwest Terror Fest and sharing the stage with bands including Voivod, Napalm Death, and Marduk, Xoth has consistently turned heads and expanded their cult-like following throughout the West Coast and beyond.

    With the release of their second full-length, Interdimensional Invocations, Xoth reveals a fully mature sound and a vivid imagination that is oddly familiar and refreshingly original at the same time. Shredding dual guitars, pummeling drums, speed chopper bass, and diverse vocals all dance together in disgusting harmony with magnificent mixing by Joe Cincotta at Full Force Studios (Obituary, Suffocation), and masterful mastering by Julian Silva (On Air Mastering).

    While Xoth blends a wide range of influences from across the metal universe and beyond, their sound can best be described as a death-match between Bal-Sagoth, Death, Akercocke, Obscura, Emperor, and Absu…..in space. Xoth appeals not only to the aficionado of complex time signatures, key changes and melodic composition, but also to the good ‘ol heavy metal enthusiast.

    Thematically, Xoth mixes themes including sci-fi, ancient mysteries, emerging catastrophes, and social commentary, lined with a layer of humor that is as magnetic as it is unsettling. If you’re looking for the perfect soundtrack to a once-futuristic dystopia that is quickly becoming an inevitable reality, look no further.

     

    Xoth is:
    Tyler Sturgill - Guitar & Lead Vocals
    Woody Adler - Guitar & Vocals
    Ben Bennett - Bass & Vocals
    Jeremy Salvo – Drums
    facebook.com/beholdxoth/

    xoth.bandcamp.com/

  • ANONYMUS Premiere Video ‘Terremoto’ via MetalInsider; First Spanish Album “La Bestia” Out June 12th

    By Mayo / in News / May 29, 2020

    via MetalInsider

    "La Bestia" Out June 12th via Bam&co Heavy

    L-R – Daniel Souto (Guitars and Backing Vocals), Oscar Souto (Lead Vocals and Bass), Carlos Araya (Drums and Vocals), Jef Fortin (Guitars and Backing Vocals)
    Photo Credit: Sébastien Tacheron

    Canadian thrash legends Anonymus will be releasing their 12th album “La Bestia” on June 12th via label Bam&co Heavy. Known for their discography of both French and English releases, “La Bestia” is their first full length that will be completely in Spanish. You may be asking why a Spanish album? Well since 3/4 of the band speaks Spanish. Drummer Carlos Araya is Chilean born, and Oscar (Lead Vocals and Bass) and Dan Souto (Guitars and Backing Vocals) are sons of Spanish immigrants it was time to make one.

    The album's tracks were produced mainly by guitarist Jef Fortin as well as Colin Richardson who also produced 1999's 'Instinct' and Jean-Francois Dagenais (Kataklysm) who produced 2006's 'Chapter Chaos Begins'. The album also features the bilingual song “Violencia Versus Violence” with the participation of Carlos Maldos of Lethal Creation (MX) and Arno Dhenain Le Bourhis of Black Bomb A (FR) along with a second bilingual track “Tierra” with Marco Calliari singing in Italian.

    Anonymus explains their thoughts on the release:

    “We always try to surpass ourselves as musicians and we always try to write the best songs we can. It’s important to be loyal to what we do but we listen to the new bands and how the metal scene evolves. I think over the years we can feel an evolution in the band’s sound.”

    Today, the band unveils their music video for their second single“Terremoto” produced by Kataklysm's Jef Dagenais.

    The band comments about the track:

    "This one is a comparison between an earthquake and a man who deals with his problems like a shaking bull! The lyrics came with the title so it started from there. Sometimes a discussion doesn’t bring the solution, so you have to shake things up. Nothing more to say!"

    Watch the video for “Terremoto” via its premiere on MetalInsider HERE.

    With over 2.5 million streams on Spotify, Anonymus is showing no signs of slowing down. Fans of thrash metal standbys such as Slayer and Testament will no doubt be intrigued by this new offering.

    “La Bestia” Album Pre-Save HERE.

    Music Video “Sobrevivir” HERE.

    Spotify, Apple Music, Deezer pre-save stream, and download of “Sobrevivir” HERE.

    Track Listing:

    1. Bajo Presión (3:31)
    2. Bicho Loco (3:58)
    3. Sobrevivir (4:11)
    4. Violencia Versus Violence (featuring Carlos Maldos of Lethal Creation (MX) and Arno from Black Bomb A) (4:33)
    5. La Bestia (5:22)
    6. Máquinas (3:32)
    7. Cada loco con su tema (5:37)
    8. Tierra ( Produced by Colin Richardson and Featuring Marco Calliari) (4:01)
    9. Terremoto  (Produced by Jef Dagenais (Kataklysm) (3:08)
    Album Length: 37:57Album and Live Band Line Up:
    Oscar Souto -Vocals/ Bass
    Daniel Souto - Guitar/ Back Vocals
    Jef Fortin -Guitar/ Back Vocals
    Carlos Araya -Drums/ Back Vocals

    For more info:
    Bamand.co
    Anonymusmetal.com
    Facebook.com/anonymusmetal
    Instagram.com/anonymusmetal1
    Instagram.com/anonymusmetal_es (Spanish/Espagnol)
    EPK

    About:

    Anonymus is a Canadian thrash metal band that explodes on stage with each presence, that pulls you in with its passion and that yells at you with corrosive and violent texts that will not leave anyone indifferent.

    Since their first release in 1994, Anonymus has made its mark on the Quebec music scene. From the beginning, the group has been well received while demonstrating its brutal sound and technique that has continually evolved over the years. Oscar Souto (vocals, bass) Daniel Souto (guitar, vocals) Carlos Araya (drums), Jef Fortin (guitar since 2006) and Marco Calliari (vocals, guitar from 1994 to 2006) have since widely traveled the roads of their country, participated in the deprivation of Mononc’Serge and continue today to ignite stages everywhere they go. These veterans of the metal scene continue to proudly carry the torch after 20 years of chaos and barbaric music.

    Forever hungry for metal, everyone in Anonymus brings ideas to the table. Sometimes it is a whole song or just the beginnings of one, yet together the band works to create a full thrashy anthem from the pieces, working on it until it is complete. The music always comes first, and when the ambiance is formulated, the lyrics, which come from a personal place and from current events, can be added.

    Unstoppable and indestructible, inspired by bands like Metallica, Slayer, Megadeth, and Anthrax; Anonymus is nothing short of the powerful, aggressive and technical thrash metal that they have been refining for decades exemplified on their impressive discography of both French and English releases, which includes: “Ni vu, ni connu” (1994); Stress (1996); Instinct (1999); Daemonium (2002); Academie du Massacre (2003); Chapter Chaos Begins (2006); Musique Barbare (2008); État Brute (2011); Envers et contre tous (2015); P.O.M.M.E (2017); Sacrifices (2019); and their first ever Spanish album La Bestia (2020) due out June 12 via label Bam&co Heavy.

    Today, Anonymus does not need a presentation. This institution of the Quebec metal industry has been offering for twenty-six years, a passion for dark notes and unrivaled power. The offer is still valid. With more than 1500 career shows under their belt, Anonymus is completely in their element when performing in front of fans, they offer only their absolute best ensuring the crowd is moving. Having shared the stage with metal great such as Anthrax, Cannibal Corpse, and Kataklysm at festivals such as Heavy Montreal, Montebello, and through international tours, they are no strangers to a wild show.

    ANONYMUS FOLLOWS ITS PATH, AGAINST ALL ODDS!

  • 1 2 3 4 5 6 ...14